Magic (the stuff you're thinking of) is a long dead art, practiced only through ancient scrolls and dying magitech. In this age we have haustoriamancy, or if you are of a less educated sort, enchanting.
Enchanters do not make magic items, no +1 swords or rings of protection. No, they bring magical to the mundane to let the mundane perform the impossible. Only in the hands of an enchanter is a torch a bomb, or a rope a binding coil, or a wolf's pelt a snarling beast.
Haustoriamancy is intended to be the primary form of magic in a setting, with more traditional Cairn magic existing, but not intended as a primary source of a character's abilities.
Becoming an Enchanter
Enchanting is a specialized semi-magical technique present in some members of society. For purposes of PC's, it is assumed any PC has the ability to become an enchanter, but lack the training unless granted to them by a background. Training takes 100 silver (silver standard) and several months of dedicated practice.
In addition, a haustoriamancer requires a ley-enchanted item, items with natural magic present inside of them. These items are either ancient relics (made entirely of non-conductive material) or items of deep sentimental value (again, made of non-conductive material). Regardless of what a ley-enchanted item is made of, it acts as a simple weapon (1d6 damage), unless it's a weapon that would do more naturally.
Enchanting
To enchant, a haustoriamancer uses their ley-item to infuse magical energy into an item, with the following restrictions:
- Items must be non-conductive. Magic does not like metal.
- Items must be a single item. You can enchant a bag filled with dust, but not the dust within the bag.
- Items must be solid. Water is not an object, but ice is.
To enchant an item, a huastoriamancer gains 1 fatigue and expends an action (if in combat), and then afterwards can command the item to do something that fits for that item. For example:
- A candle explodes into a large puddle of slippery wax.
- A rope attempts to bind someone like a serpent of its own will.
- A quill writes a message on a paper when a certain trigger is met.
- A torch shatters into a storm of sharp splinters.
- A bag of dust explodes into an obscuring cloud.
- An arrow flies an impossible path.
After performing its duties, an enchanted item crumbles to dust if not destroyed by its action. The effects of these commands are up to interpretation. Creative use of items carries the day.
Enchanting Other Things
Additional training can unlock other possible items for a haustoriamancer to use. Just as learning enchanting, these cost 100 silver (silver standard) and several months of training. In addition, most of them are considered illegal in civilized lands, and will be stated as such.
Familiars and Blood Enchanting
One can create a loyal and intelligent familiar by spreading their blood onto an enchanted doll or other small construct. These familiars can communicate and follow tasks.
One can create more familiars, or larger and more dangerous familiars, but this is considered illegal, as a familiar will attempt to kill its master if it gets the chance. Small, singular familiars simply lack the necessary ability to do so.
Ley-Combat
One can learn to master the power of their ley-enchanted item. Ley-combatants can turn their item into any form of weapon.
Fire
One can learn to enchant flames, allowing them to guide the flame (not command) and increase its size and temperature. As fires are, of course, alive, they have minds of their own and will obey less and less the larger they get. Pyromancy is illegal.
Wind
Like fire, wind is a obviously alive. Unlike other forms of haustoriamancy, to learn to control the wind you must first bargain with it by climbing onto the highest peak in the region and offering something of great value to the wind (the giants bargained their voices). Once you and the wind reach accord, you cam now bind to breezes and command the wind.
Bones
One can animate the bones of the dead (a complete skeleton is a single object, after all) into unthinking, but utterly devoted thralls. Only capable of simple tasks, such as hauling goods or pointing a spear at something and as effective at those tasks as any animated skeleton would reasonably be. Ossomancy is not necromancy, as you are only animating the bones, not returning them to unlife. Ossomancy is also illegal, but only on moral grounds.
Biomancy
One can manipulate their own blood, organs, and flesh through enchanting like they would any other object. Such options include:
- Using your intestines like a whip or rope
- Turning your nails into claws to use as natural weapons or to climb a tree
- Altering your face and body to be uncrecognizable.
Biomancy takes extreme toll on the body, causing 1d6 points of strength damage after an enchantment is finished. Legends tell of powerful biomancers being able to manipulate the biologoy of other beings, most notably to create the ketch, also known as the worst predator to ever exist. Biomancy is illegal.
Dreams
There is no magic in dreams.
Finding training in oneiromancy is difficult. There are few practitioner, and those who are hunted relentlessly. Oneriomancers can infuse magic into their thoughts to create phantasms of their ideas. These phantasms are real, but only temporarily. These dreams act real, though are obviously made out of thin magenta light, rather than flesh. Dreaming things into existence is extremely taxing mentally, causing 1d6 points of willpower damage. Oneiromancy is extremely illegal.
I like this a lot. Feels very, dare I say, "Tolkienesque"?
ReplyDeleteTolkein was not an inspiration for this system (the biggest inspiration was actually a game called Wildermyth), but I can definitely see it. It's magic that doesn't feel super magical. No massive explosions of fire, but magic nonetheless.
DeleteI always describe Neurim, my setting, as extremely high fantasy but only on a grand scale. While yes, this setting has divine avatars waging war over decaying cloning bays, most people of Neurim do not get to experience that. Most of them live normal lives farming and fearing of the dark in the forest. I wanted magic that invoked that feeling, strange and mysterious but ultimately knowable, while the truly unknowable stuff is long lost to time.